Capturing Light and Expression

Capturing Light and Expression

framed-oil-painting-on-canvas-panel-cdejesusart
Framed oil painting commission on canvas pad 
Painting a commission is a unique endeavor that requires a deep understanding of the client's vision and the artist's skill in translating that vision onto the canvas. One of the key elements that I will focus on is capturing light. Light has the power to transform a painting, bringing it to life and evoking emotions in the viewer. I will discuss my process and approaches to effectively portray the interplay of light and shadow, creating a sense of depth and connection in the artwork.
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This was the reference photo.
reference-image-cdejesusart
Cropped to achieve some balance on the composition and having a focal point which is the figure on the sofa.
Expression is another crucial aspect that I will explore. Whether it's a portrait, a landscape, or any other subject, capturing the essence and emotions of the subject is what makes a commissioned painting truly special. I will share my insights on how to convey emotions, personality, and the unique characteristics of the subject, ensuring that the final artwork resonates with both the client and the viewer.
  Though the chandelier is pretty to paint it takes away the whole subject and give less meaning. The chandelier is the first thing you would notice in the photo. Removing that from the photo and giving more emphasis on the figure and facial expression which was my main aim in capturing the subject. 

 

 

underpainting-work-in-progress-cdejesusart
Underpainting in bright pink acrylic spray paint using Liquitex, creates midtones.
Working with a limited palette is a challenge that many artists embrace. By restricting the number of colors used, artists can create harmonious and cohesive compositions that are visually striking.
For my oil paints, I used the Zorn palette which is mainly made up of Titanium White, Yellow Ochre, Cadmium Red Medium, Ivory Black.
zorn-palette-czejesusart
Zorn palette
Zorn palette refers to a palette of colors attributed to the great Swedish artist Anders Zorn (18 February 1860 – 22 August 1920). Consists of 4 colors yellow ochre, ivory black, vermilion, and titanium white. 
 
 I wanted to give more emphasis on what the subject is feeling, being happy, surrounded by color, illuminated by light, being relaxed and free at that moment in time. The process has been a bit of a challenge using only a limited palette. It stretched my technical skills which I'm still honing, indeed a learning curve.
Painting everyday and exploring different subjects is always a learning experience. I'm much more and always excited to capture the figure and study its values. I enjoyed exploring the shapes, how the light lands softly to her face, showing a relaxed happy expression. I don't go for realism but painting thru expressive brushstrokes and color.
I was ecstatic when the painting was received by my friend. Nothing fulfills me when they have genuine appreciation and joy when they see the painting. Painting is a journey of love for me, sharing what I have in the form of expressive color and brushstrokes. Looking forward to more painting commissions!
  
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